One issue that came up over and over was the Film Board ‘s pricing policies for its educational films. And your production costs often don’t have a direct relation to your film’s selling price. When you’re on a govemment payroll your salary often has no direct relation to productivity as measured by your products. Many of the producers originally had their start with CBC or NFB, where the requirements for survival are usually of a vastly different order. And survival in that business simply means success at selling your services, products and ideas. The answer that kept recurring among the independent producers I spoke to – both those featured here and ones left out of this survey because of space limitations – is that for the independent, the film business is first of all a business. Jaan Pill talked with some of the older hands in Toronto, and gives us a thumbnail sketch of some of the companies, the projects and the preoccupations of these 16mm filmmakers. What does it take to survive as an independent producer in Canada’s non-theatrical industry? 44-47.Ĭlick here to access the online version of the article > Precarious establishment: Cinema Canada article from 1978 about Canadian independent film production in the 1970sĬinema Canada, No.
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